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ALAN FLATTMANN Biography |
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Spanning a career of over
4 decades, Alan Flattmann is recognized as one of |
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Alan Flattmann was born in the city of Flattmann's paintings can be found in hundreds of private and corporate collections around the world, such as Alabama Power Company, Avondale Shipyards, Delta Airlines, Deposit Guaranty National Bank, Entergy Corporation, Heritage Club (TX), Hollister Inc. (IL), Insignia/ESG Company (NY), The Mississippi Bank, Peoples Bank and Trust, University Club (MS) and South Central Bell. Public collections include The New Orleans Museum of Art, Ogden Museum of Southern Art, Oklahoma Art Center, Longview Museum of Art, Mississippi Museum of Art, Lauren Rogers Museum of Art, Meriden Arts Association, New Orleans Art Association, University of Mississippi (Ole Miss), Belhaven College and Alton Ochsner Medical Foundation. |
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Books featuring Alan Flattmann's work include: "The Art of Pastel Painting", by Alan Flattmann,
Pelican Publishing, 2007, "Alan Flattmann's French Quarter
Impressions", by John
R. Kemp, Pelican Publishing, 2002, "The Poetic Realism of Alan
Flattmann", by Joyce
Kelly, A.C.M. Publishing, 1981, "Pure
Color: The Best of Pastel",
pp.106 & 119, North Light Books, 2006, "100
ways to paint Favorite Subjects", p.30,
International Artists Publishing,
2004,
"Expressing the Visual Language
of the Landscape", pp.
74-81,“Capturing Character”, by Alan Flattmann, International
Artists Publishing, 2002, "The
Best of Pastel 2", p.57, Rockport Publishers Inc., 1998, Gloucester,
MA "Paint
How You See and See What You Paint", by Aven Chen, pp. 40,41,53,54,62,64,79,82,89,90,94,
99, 107,108, 122,123,129,130, published
in Taiwan 1997 "Pastel
Step by Step", by Aven
Chen, pp. 109-111, published in Magazine Articles by and about Alan Flattmann's work include: "Hallowed Hall", by Robert Carsten, The
Pastel Journal, February, 2007, Cover & p.8 "Heightened Atmosphere",
by Alan Flattmann, The
Pastel Journal, June 2006, pp. 58-59 "Alan Flattmann Deals with Katrina:
a summer of too many storms", by Bill Creevy, Pastelagram,
Winter 2006, pp.8-11 "The Best Souvenir", by Joanne Moore, Artist’s Sketchbook, February
2005 pp.34-39 "From the Editor"”,
by Loraine Crouch, The
Pastel Journal, October 2004, p. 3 "Workshop Instructors Tell All",
byMaggie Price, The Pastel
Journal, June 2004, pp. 42-43 |
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"Jazzing with Pastels",
by Jamey Landry, Inside
Northside, Ap. –May 2004, Cover & pp.18-19 "Alan Flattmann", by editors, The
Pastel Journal, April 2004, pp.20-21 Book Review - "Alan Flattmann’s
French Quarter Impressions", by Claire Paisner, Pastelagram,
Winter 2003, Cover & p.20 "Alan Flattmann’s Vieux
Carre Impressions", by John Kemp,
Louisiana Cultural Vistas, Summer 2002, pp. 41-49 "A Reality of its own: Alan
Flattmann's French Quarter",
by John R. Kemp, Louisiana Life,
Winter 2001/02, pp. 34-37 "Painting an "Selecting a Surface", by Linda S. Price, American Artist, February 2001, Cover & pp. 48-53 "Alan Flattmann, Exploring themes and documenting life in pastels", by Maggie Price,Editor, The Pastel Journal, Jan/Feb 2000, "Impressions of the City", by Alan Flattmann, Pastel Artist International, Aug/Sept/Oct 1999, pp.44-53 "Mastering Composition", by Linda S. Price, Art Masters, An American Artist publication, June 1996, pp.42-49 "Combining Sketching and Watercolor
Painting", by Alan Flattmann,
Watercolor, An American Artist publication,
Winter 1995, pp. 82-87 "Ten
Artists Respond to a "Alan Flattmann: Pastel
Poet", by John Kemp, New Orleans Magazine, April 1987, pp.24-27 "Alan Flattmann Among Unknown
Men", by Marda Burton, New Orleans Magazine, July 1981,
pp.54-56 "Alan Flattmann No Subject
too Common", by Marda Burton, Southwest Art, September
1980, pp.78-85 "Alan Flattmann Painting
a Poetic Realism"”, by editors, Southern World, December
1980, Cover & p.6 "Alan Flattmann’s Reflections of the South", by Keith Marshall, American Artist, July 1979, pp. 56-59 & pp. 104-109 |
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